Skip to content
Discover expert tips and strategies to enhance your focus a…

Game Review: Sleaford Mods' Jason Williamson Takes On Role in Critical Look at Ecstasy Generation Era

The work of Bristol sound co-founder the musician-producer, this sharp-edged if slight debut feature turns a sceptical eye on 90s rave culture. Venal pillhead David (the actor) initially steals from an unconscious dealer, then in another flashback tries to break into his own parents. Before you can say, he's overturned in the wreckage of his car in a woodland – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for townies, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Darkly Funny Confrontation

The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his everyday life. The central theme – that the rave-era youth were primarily out for themselves – is firmly made. But these brief episodes are too thin to adequately prepare us for what to expect when the Poacher turns up, enraged after David strangles his dog. Still, a darkly funny duel takes hold – David eager to get away; the Woodsman denying his container of cider, determined to dousing him instead in resentful talk. Williamson, projecting ponderous menace in the role, is evocative of Michael Smiley.

Visual Flair and Music Video Sensibility

Just a single important plot development, but it results in a comically executed chaotic run on the woodland paths that dips close to rural terror. Director John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of insects in the light in the opening part, he now goes all out with the full lysergic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.

Game is in UK and Irish theaters from 17 November.

GM
The writer

Gabriella Mullins

A cognitive performance coach specializing in mindfulness techniques for urban professionals.

London Ace Focus

Type to search articles.